DC10 has allegedly flouted Ibiza lawmaker orders and refused to remove six of the fences they use for advertisements on the resort island.
DC10 has allegedly flouted Ibiza lawmaker orders and refused to remove six of the fences they use for advertisements on the resort island.
Night Time Industries Association CEO Michael Kill has suggested that lawmakers have imposed this week’s restrictions to deliberately suffocate nightlife.
The Music Venue Trust called upon the government to reconsider its policy on the sale of alcohol during live events amid the COVID-19 pandemic.
Data from the U.K. now suggests that vinyl record sales are on track to reach a 30-year high partly as a result the COVID-19 pandemic.
Ticketmaster are among the first to begin implementing a tangible plan for concertgoers’ safety at live events moving forward, using smartphone technology.
The British Association for Performing Arts Medicine (BAPAM) scheme addresses mental health among musicians, and the racial disparity among music professionals.
Event management and logistics company Swallow Events has introduced services that enable COVID-19 rapid testing at scale for U.K. gatherings of all types.
The Night Time Industries Association is now sounding the alarms that the “extinction” of many U.K. establishments is imminent.
A new initiative by TicketSwap, GoFundMe and Cosimo called #LocalLegends aims to raise over €2 million for ailing music venues in 14 European countries.
UK Music have published their inaugural Music By Numbers report, providing a breakdown by sector of the national market in 2019.
Over 220 companies have signed the Association for Electronic Music’s Code of Conduct Against Sexual Harassment and Gender Discrimination in the industry.
The phase 3 results of BioNTech and Pfizer’s COVID-19 vaccine candidate study spells good news for live music, according to Live Nation CEO Michael Rapino.
Music Venue Trust has expanded on the #SaveOurVenues campaign by introducing an initiative to funnel aid to U.K. venues most hurt by COVID-19 restrictions.
Larry Heard and Robert Owens’ lawsuit against Trax Records over unpaid royalties could largely be dismissed if a filing by the defense holds any weight.
After nearly a decade of invading the airwaves from London’s Dalston’s Gillett Square, NTS Radio must soon find new home.
With a vaccine on the horizon, both Live Nation and CTS Eventim’s stock prices reached their highest point since February.
Shortly after an online petition aligned with #LetUsDance broke 145,000 signatures, the initiative has been heard in the U.K. Parliament.
Arts Council England is investigating a grant allocated to Birmingham event brand Sundissential, which was classified as dormant from 2017-2019.
The Restart-19 experiment’s findings have not yet been peer reviewed, but they’re “potentially useful,” according to Dr. Gabriel Scally.
The streaming platform will give content creators increased exposure via Autoplay and Radio if they agree to reduced royalties.
A deal between Insomniac Founder Pasquale Rotella and Pete Kalamoutsos that was finalized in 2019 has been shared with the public.
Techno and house now legally qualify as music following the ruling of a German high finance court. It’s not a matter of simple semantics, either.
France and Germany announced strict lockdowns to curb the spread of the virus this week, and Switzerland has followed suit.
Triple Threat Mgmt’s six month program, the Music Industry Diversity Initiative (MIDI), aims to assist young Black individuals in the music industry.
Twitch recently came under fire from the RIAA and industry groups for unrestricted use of copyrighted music without licensure.
Sentric will now collect royalties directly from Beatport and offer publishing services to artists and labels who sell music through the platform.
With COVID-19 case counts surpassing March and April figures, lawmakers in France and Germany will reimpose lockdowns with dire implications for nightlife.
The Union of Musicians and Allied Workers has launched “Justice At Spotify” to push for the company to increase the royalties it pays to artists.
“Skiddle took the decision not to apply, as we frankly did not fit the criteria as a cultural venue or host live events,” wrote Ben Sebborn and Rich Dyer.
Arts Council England’s Culture Recovery Fund Round 3 grants ranged from £1-3 million, and one was awarded to London nightclub Fabric.