Crate Digging is a monthly roundup of top-tier tunes you might have missed from across the electronic music spectrum. From obscurities uncovered during trips down Bandcamp rabbit holes to the latest releases from legendary artists, Crate Digging is here to keep your collection up to date.

1. Gino – Detroit Receiving [Dark Heaven]

Gino blends tight, rolling techno grooves with gnarly sound design on “Detroit Receiving,” creating a dance floor-ready yet intricate track.

2. Ulysses – Recreational Genetics [Science Cult]

“Recreational Genetics” is the title track from Ulysses‘ latest full-length album, and it’s some of his weirdest and most challenging work to date. Wonky, otherworldly electro meets IDM by way of improvised analogue noise.

3. Lewis Fautzi – DNA [fautsection]

Hypnotic techno aficionado Lewis Fautzi surprises with “DNA.” A downtempo, low-slung electronica trip, it retains his dark, brooding aesthetic while exploring new sonic frontiers.

4. The Miller – Hi Tech [ANAØH]

Hardgroove techno is well and truly back, and The Miller is leading the charge with cuts like “Hi Tech.” This is everything that makes the sub-genre great: funky, percussive, energetic and relentless.

5. WeTurnToRed – The Machinist [Cosmic Resonance Records]

6. Bodhi – Edge of Blue [Hotflush]

Some of the hardest-hitting output to date from Bodhi. “Edge of Blue” is perfectly at home on Hotflush with its thunderous drums, rapid-fire vocal samples, and high-impact bass stabs.

7. Casual Treatment – Distorted Reality [Symbolism]

“Distorted Reality” sees Casual Treatment carve out a tunnelling, hypnotic groove comprising of shiny sci-fi atmospherics and a tough, pulsing, low end.

8. QphoriQ – Wonch Like Woo [Diffuse Reality Recordings]

QphoriQ challenges genre conventions with “Wonch Like Woo.” This raucous, percussive breakbeat cut combines crunchy drums and growling bass with floaty, warm chords and heavily reverbed vocals.

9. Chris Moss Acid – Izbla 7 [Chris Moss Acid]

Unusually downtempo and melancholy compared to Chris Moss Acid‘s usual output, “Izbla 7” is a beautiful, ethereal journey. It’s just one of many highlights from his magnum opus Izbla, an album eight years in the making.

10. Zemög – Babuna [Danza Nativa]

“Babuna” is Danza Nativa‘s modus operandi epitomized. Colombian producer Zemög induces a meditative state with earthy textures, quirky effects, and heady rhythms.

11. Shed – Time [The Final Experiment]

Shed‘s legendary album Towards East gets a digital rerelease, and “Time” still stands out as the finest cut on the effort. A deep, spacious and emotive soundscape, it slowly unfurls and draws you in with each passing moment.

12. Dave Clarke – Zeno Xero [Skint Records]

After decades of fighting to get the rights back to the tracks from his seminal Red series of EPs, Dave Clarke finally owns the music again. To celebrate, Skint Records are remastering and rereleasing these classics, starting with rave-infused breakbeat techno stomper “Zeno Xero.”

13. Bruno Belissimo – Everybody Loves Dancing [Polyamore]

No-nonsense, dance floor-ready disco vibes from Bruno Belissimo. It’s true that “Everybody Loves Dancing,” and when you’ve created a groove this charming, can you blame them?

1. Neil MacLeod – Curer (Second Self Remix) [Particle Recordings]

2. Fantastic Man – Nebula Nights [Superconscious Records]

A digital-only bonus track from the second installment of his Visions Of Dance series, “Nebula Nights” is a low-slung, psychedelic trip. Fantastic Man deftly weaves together euphoric chords, wonky bleeps, and warm bass together, all underpinned by a steady breakbeat loop.

3. Scotch Rolex & Shackleton – Shattered [Silver Triplet]

Death by Tickling by Scotch Rolex and Shackleton

New label Silver Triplet storms out the gates with a collaboration between Scotch Rolex and Shackleton, two of electronic music’s most fearless mavericks. “Shattered” takes the recognisable sonic palettes of each artist and mashes them together into a off-kilter mixture of tribal drums, gnarly echoes, experimental sound design, and unpredictable rhythm changes.

4. Adolpho & Franky – Red District Ballade (Zillas On Acid Remix) [Folklor Nation]

Folklor Nation bosses Adolpho & Franky land on their fledgling imprint with “Red District Ballade,” a chuggy, mid-tempo house track full of attitude. Zillas On Acid add some extra grit in their remix with an undulating, acid-tinged bassline and skippy drums, peppering the groove with the original’s tripped-out vocal hits.

5. Amy Kisnorbo – Squidge [Pineapple]

A rapidly rising talent in the bass music scene, Amy Kisnorbo is making a name for herself as a forward-thinking artist who combines elements of grime, breakbeat, jungle, and electro. On “Squidge,” she adds ghetto-tech to the mix, delivering an up-tempo, snappy, and unabashedly fun dance floor burner.

6. Men From The Nile Feat. Peven Everett – Watch Them Come [Undaground Therapy Muzik]

Legendary label Undaground Therapy Muzik, originally launched in 1996 by Roy Davis Jr. and Odell Brazier, is re-releasing their entire back catalogue digitally, starting with their biggest hit “Watch Them Come.”  A collaboration between Roy Davis Jr., Jay Juniel, and Peven Everett, it’s a classic deep house cut with an instantly recognizable vocal refrain and a quirky, future-jazz lead synth.

7. Angus Mills – Herbert St [Moonshoe]

Taken from Angus Mills‘ debut release on Moonshoe, “Herbert St” is deep, meditative electronica with tasteful nods to dub and psybient with its swirling reverb washes and hypnotic sine sequences. This one fits perfectly in the space between the dance floor and the after party couch.

8. Forest On Stasys – Ritmica Natural [Danza Nativa]

Forest On Stasys cement their position amongst the upper echelon of artists producing heady, intricate, and spacious techno with “Ritmica Natural.” Stripped-down, organic drums and wispy, echoed atmospherics give the track an eerie atmosphere only amplified by the French spoken word passage that sits on top.

9. Peter van Hoesen – Imposter [Time To Express]

A Swing Is Not A Throw by Peter Van Hoesen

Constructed from just a fragment of the countless hours of individual sounds he has been using on-the-fly during his live shows over the past 12 months, “Imposter” is quintessential Peter Van Hoesen. Tunneling, sharp-focussed hypnotic techno with a gnarly, worm-like lead synth.

10. Pugilist & Tamen – Lithium (Dwarde & Tim Reaper Remix) [DEXT Recordings]

An absolute dream team come together for all-out breakbeat hardcore madness. Contemporary dons of drum break manipulation Tim Reaper and Dwarde remix regular collaborators Pugilist and Tamen‘s “Lithium,” turning it from a deep, atmospheric jungle cut into an assault of chopped-and-screwed breaks, rave-ready synths, classic vocal samples, and massive sub bass.