Client_03 | Selector https://selector.news The Electronic Music Journal Wed, 31 May 2023 15:34:43 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.5 https://selector.news/wp-content/uploads/2020/05/cropped-cropped-selectorIcon-32x32.png Client_03 | Selector https://selector.news 32 32 Crate Digging with Andrew Wowk – 10 Choice Cuts From May https://selector.news/2023/05/31/crate-digging-andrew-wowk-may-2023/ https://selector.news/2023/05/31/crate-digging-andrew-wowk-may-2023/#respond Wed, 31 May 2023 15:34:43 +0000 https://selector.news/?p=12204 Searching for new music takes time, something that seems to be in shorter and shorter supply these days for many of us. Given the sheer amount of releases that grace the internet on a daily basis, occasionally great tracks are bound to pass you by.

Crate Digging is a monthly roundup of top-tier tunes you might have missed from across the electronic music spectrum. From obscurities uncovered during trips down Bandcamp rabbit holes to the latest releases from legendary artists, Crate Digging is here to keep your collection up to date.


1. The Black Dog – Let’s All Make Brutalism [Dust Science]


Sheffield trio The Black Dog channel the energy of the early bleep techno movement on “Let’s All Make Brutalism,” but they divert it into moodier, more introspective territory. Stripped-down beats, drawn-out acid squiggles, and dusty atmospherics conjure images of the city’s history as a steel manufacturing giant.

2. Sagat – The Other Left [Vlek Records]

Prepare for sonically dense, mutated techno-meets-bass-music that balances odd time signatures and gnarly sound design with thunderous, propulsive low end and grainy, corroded drums. “The Other Left” rewards careful listeners while also having enough oomph to move those who just want to dance.

3. apaull – Depths (John Selway Light Of Grey Remix) [Furnace Room Records]

Legendary New York producer John Selway turns in a dark and menacing electro rework of apaull‘s “Depths.” Razor-sharp beats cut through layers of twisted synths, grinding bass, and robotic vocals.

4. Lemna – N19 [KHIDI Digital]


Lemna helps Georgian club KHIDI launch their record label with “N19.” It’s a gritty, experimental trip that perfectly aligns with the label’s mission statement: Blending dance floor-ready techno with avant-garde explorations of sound.

5. Greenleaf – Todash [Pinecone Moonshine]


Lush, atmospheric drumfunk that incorporates Greenleaf‘s New Orleans heritage, giving the drums a jazz inflection thanks to meticulously programmed breaks that mix samples from multiple drum kits. “Todash” adds in heady, futuristic synths to create a sci-fi aesthetic that offsets the natural feel of the drums, creating a unique combination of organic and synthetic.

6. Abstract Division – Perception is Reality (DJ Nobu Remix) [Dynamic Reflection]


Following the success of 2022’s Midnight EnsembleAbstract Division return with a selection of reinterpretations from their compatriots. DJ Nobu takes on “Perception is Reality,” creating a driving, percussive groove that centers around an ever-evolving metallic sequence and delayed stabs ping-ponging across the stereo space.

7. Jensen Interceptor – The Fontainebleau (DJ Godfather Remix) [Monotone]


Jensen Interceptor‘s “The Fontainebleau” gets a freaky electro-funk remix from DJ Godfather, which honors the original’s Miami Bass influence while injecting it with the kind of snappy drums, bouncy bass, and wonky synths for which he’s known.

8. Stroef – Toxic Waste Dump [Boomstraat 1818]


Dutch producer Stroef digs into the archives for some previously unreleased material, unearthing “Toxic Waste Dump” in all its funky, melodic glory. This classy, Detroit-influenced techno jam balances playful synth loops with rolling bass, squelchy acid sequences, and precise drums.

9. Eusebeia – Seeing The Unseen [Samurai Music]


Eusebeia is one of the most cutting-edge, forward-thinking producers in drum and bass and jungle. On “Seeing The Unseen” he turns his hand to a darker, more subtle sound palette that is perfectly at home on Samurai Music. This steady, slowly unfurling soundscape of moody synths, echoed field recordings, and cavernous low end works both in headphones and on the dance floor.

10. Client_03 – Principal Excitation Conduit [Client_03]

The enigmatic Client_03 returns with another slice of speaker-shuddering electro in the form of “Principal Excitation Conduit.” Quirky vocal samples interject between huge sub bass growls, grimy acid stabs, and precise drums, all saturated with just the right amount of distortion.

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Crate Digging with Andrew Wowk – 10 Great Tracks From July https://selector.news/2022/08/01/cratedigging-andrew-wowk-july-2022/ https://selector.news/2022/08/01/cratedigging-andrew-wowk-july-2022/#respond Mon, 01 Aug 2022 22:44:00 +0000 https://selector.news/?p=11838 The sheer volume of new music released on a daily basis means that for even the most dedicated enthusiasts, some gems will invariably go unnoticed. Crate Digging is a monthly roundup of top-tier tracks you might have missed from across the electronic music spectrum.

From obscurities uncovered during trips down Bandcamp rabbit holes to the latest releases from legendary artists, Crate Digging is here to keep your collection up to date.


1. Donato Dozzy & Rumi – Flusso [Rebirth]

Maestro of hypnotic techno Donato Dozzy teams up with Rumi to pay homage to the early pioneers of the Italian underground scene with “Flusso,” a chugging, deep, tribal-tinged house cut. Organic percussion snakes around a spacious low end groove, while moody vocal chants and dreamy pads add a layer of slowly building tension.

2. Biesmans – Sunday Love [Rhythm Cult]

Biesmans delivers warm, uplifting house sounds with just the right amount of oomph. “Sunday Love” combines swinging, chunky drums, catchy vocals, and reverbed chord stabs to create a delightful groove before introducing a beautiful, euphoric breakdown at the track’s midpoint.

3. Nite Fleit – Like I Used To Be [Steel City Dance Discs]


Taken from Nite Fleit‘s debut album, “Like I Used To Be” showcases the more melodic, introspective side of her music. Dreamy chords, synthetic melodies, a melancholy vocal, and otherworldly effects take turns at the forefront of the track, underpinned by tight, snappy drums.

4. Possible People – Loving Is Hard [Extra Spicy]


Extra Spicy continue their hot streak with a slice of deep jungle from Australian duo Possible People. “Loving Is Hard” revels in its nostalgia for early works from the likes of PhotekLTJ Bukem, and Omnio Trio. It blends airy breaks, lush pads, reverbed vocals, and punchy sub to create a heady, swirling and captivating atmosphere.

5. Michael Diamond – Submerged [Vāsuki Sound]


A strong start for both Vāsuki Sound and Michael Diamond, “Submerged” draws from his experience as a resident of long-running underground night Simple, and his deep love of jazz and harmony. The result is an ethereal, bass-heavy, and expansive electronica piece that tugs on the heart strings.

6. Client_03 – Autonomous Correction [Client_03]


The enigmatic Client_03 is one of the most exciting producers in the contemporary electro scene, and “Autonomous Correction” shows exactly why. With its tight, bouncy beats, gritty bass line, quirky effects, and infectious energy, it blends elements of footwork and electro into a guaranteed dance floor slayer.

7. Lux Prima – We Shall Erupt [SaS Recordings]


A psychedelic midtempo slice of electronica, “We Shall Erupt” is from Lux Prima‘s forthcoming album on SaS Recordings. Quirky arpeggios, filtered pads, analogue drums, and driving bass bring noise, dissonance, beauty and harmony together into a captivating whole.

8. DJ Steaw – I Can’t Feel It [Kaoz Theory]

Paris-based DJ, producer and label owner DJ Steaw joins Kerri Chandler‘s Kaoz Theory with a peak-time house jam that encapsulates the classic vibes of ’90s New York City. Steaw’s penchant for adding a raw edge to his productions comes through thanks to the gritty bass hook, euphoric organ lines, and ethereal chords.

9. Robag Wruhme – Robellada.22 [Tulpa Ovi Records]


Label head Robag Wruhme takes a laid-back, spacious trip through precise sound design, immersive field recordings, organic drums, and hypnotic bells. “Robellada.22” is one of those tracks that cruises along without ever really shifting gears and is all the better for it.

10. LADYMONIX – High Notes [Frizner Electric]


Detroit’s LADYMONIX has had a phenomenal couple of years, continuing the city’s legacy as a hotspot for proper, soulful house music. With its jacking, groovy drums, warm bass line, and catchy saxophone loop, “High Notes” is definitely an apt title.

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