This month’s edition focuses on acid house, a subgenre of house that traces its roots back to the mid-1980s in Chicago, with artists such as DJ Pierre, Sleezy D, and Armando. The eponymous “acid” describes the squelchy, warbling sounds of the Roland TB-303, a small synthesizer that was originally designed to simulate bass guitars, but found itself better suited to soundtracking late nights in clubs and warehouses.

The U.K. and continental Europe soon caught on, adding their own spin to the genre and even taking it mainstream with a number of chart hits. It also had an influence on later genres such as trance, hardcore, jungle, and techno. Here are ten cuts that may not have reached “anthem” status but definitely stood the test of time.

1. Calisto – Get House [Definitive Recordings] [1994]

One of only three tracks from Rob Lenarduzzi under his Calisto alias, “Get House” is a groovy tech house cut which rewards patient listening. Taking a full five minutes before the acid lead fades in during an otherwise nondescript breakdown, the track turns into a squelchy, chunky roller in the second half of its runtime.

2. Van Christie – That Shit’s Wild [Trax Records] [1988]

As is fairly typical of late ’80s/early ’90s Chicago acid house and the infamous Trax Records, there is considerable debate around who actually wrote “That Shit’s Wild.” Although it is officially credited to Van Christie on Trax’s own Acid Classics compilation released in 2006, the 1988 Acid Trax Volume 2 compilation released by Serious Records lists Dr. Derelict (A.K.A. Wayne Williams) as the artist. There are even rumors that the legendary Adonis contributed to the production. Whoever is responsible for it, one thing’s for certain: with its slamming drums, chopped-up vocal refrains, and funky acid line, the title is definitely apt.

3. 2 Body’s – Body Drill [House Records] [1989]

Belgian producers Ro Maron and Ferre Baelen are widely considered pioneers of new beat, a groundbreaking genre that fused elements of acid house with new wave, EBM, and hi-NRG to create an energetic, rave-ready sound with a distinctly European edge. “Body Drill” is a brilliant example of the style, combining chunky, lo-fi drums and overdriven acid into a dark, pounding groove.

4. Mike Dunn Presents MD III – The EL Train [Clone Jack For Daze] [1988-1990/2018]

Although it was released in 2018, “The EL Train” was actually written between 1988 and 1990. It remained in the archives until it was picked up by Clone Records for their Jack For Daze sub label. Typical of his take on the genre, the track saw Mike Dunn take the raw, jacking vibe of acid house and put it into overdrive, distorting the drums and downtuning the TB-303 to give it a sinister edge.

5. The Endless Poker’s – ! The Poke ! (The After Poke Mix) [D.J. International Records] [1987]

Unlike “That Shit’s Wild,” this one is an official Adonis production, written in collaboration with Magic Amp and Derrick Morris under his Flex alias. Funky, stripped-down, and wonky, it focuses around an ever-changing drum loop and rapid-fire vocal hits, with the acid line adding some extra flavor rather than being the centerpiece of the track.

6. Robert Armani – Edge [ACV Records] [1993]

One of the tracks that laid down the foundations for Chicago’s more jackin’, booty-bouncing take on techno, “Edge” is a lesser-known cut from Robert Armani that marks an important point in the acid house timeline. Chunkier, pacier, and grittier than other tracks floating around at the time, its shuffly drums and overdriven TB-303 offered a timely breath of fresh air for the genre.

7. Armando – 151 [Warehouse Records] [1988/1992]

They really don’t come more legendary than Armando when it comes to acid house. A master of using minimal elements to maximum effect, on “151” he combines a simple, off-beat acid line with rough, reverbed TR-707 drums, changing up their patterns throughout the tune’s runtime. Written in 1988 but officially released in 1992, it perfectly characterizes the first wave of acid house from Chicago.

8. Jolly Roger – Acid Man (Happy Mix) [10 Records] [1988]

It didn’t take long for acid house to reach the U.K., and when it did, they added their own unique flavor to it. Typically faster and cheekier than its Chicago counterpart, U.K. acid house was the soundtrack to the rave renaissance of the late ’80s and early ’90s. “Acid Man (Happy Mix)” is regularly cited as a forgotten classic of the time and is one of Camden Palace resident Eddie Richards‘ earliest productions.

9. Mr. Fingers – Washing Machine [Trax Records] [1986]

Although he is more often touted as a founding father of deep house, Mr. Fingers (A.K.A. Larry Heard) also knew how to work a TB-303 and get the wild sort of sounds out of it that his contemporaries could only dream of. “Washing Machine” is a leftfield, psychedelic, and incredibly funky jam with some wild delay effects. It is often overlooked due to being on the same release as the anthemic “Can You Feel It?”

10. Man Machine – Man Machine (Cybernetik Intervention) [Possum Records] [1989]

“Man Machine” is an uplifting, dreamy journey that characterizes the more ravey take on the genre that German artists explored when they got their hands on the TB-303. The acid line bubbles alongside punchy drums in the low end of the track, while gated, choir-like synths, trancey chords, and choppy vocal samples add a playful, colorful edge.

As part of the U.K.’s Pride Weekend celebration, the LGBTQ+-friendly event begins on Sunday, September 12th, running from 7:00 AM-3:00 PM. Regular residents are set to include Wes Baggaley and Grace Sands.

Founded in 2017 at The Cause, Adonis grew to be London’s premier queer dance party. Known for its spontaneous spirit and raucous environment, the party hosts inclusive, off-grid events featuring prominent underground, queer DJs and producers.

The only confirmed act for the Pride Weekend show is Cormac. Besides that, Sylvester will operate with a no-lineup/order policy. In other words, in keeping with Adonis’ impromptu, exciting feel, dancers won’t know who is performing until they reach the stage.

After the September 12th edition, the show will run every Sunday beginning from October 3rd, 2021 and on. It is the first in a series of parties Fabric intends to run as London clubs slowly reopen thanks to easing COVID-19 restrictions.

Clubbers will find the party in Fabric’s newly remodeled Rooms 2 and 3. Each room focuses on different genres, with Room 2 focused on techno and Room 3 focused on house, Italo, and disco.

Attendees must be 19 years of age or older and present a negative COVID-19 test from within 48 hours prior.

Adonis (full name Adonis Smith) brought the topic to light in the weeks after Trax co-founder Larry Sherman died of heart failure. “Do not buy or support Trax Records! Because this label has not paid me one penny in 34 years,” Smith wrote in a Facebook post. “Trax Records do not own any rights to my music. Please share this post everywhere. Also tell all distributors to do not sell this record or any other of my songs from this horrible label. Enough is enough.”

Smith’s accusations are par for the course for Trax Records. In the documentary Pump Up The Volume, Sherman himself commented on the label’s unsavory business practices in the early years of Chicago house.

On Adonis

Prior to releasing music as Adonis, Smith was a member of the boogie group ClockWork. The band’s most notable track was “I’m Your Candy Girl,” which came out on Private I Records in 1984.

Smith is arguably best known for “No Way Back” featuring the late vocalist Gary B. The 1986 single, which sold an estimated 100,000 copies, marked one of the first uses of the Roland TB-303 Bass Line in a house music. DJ Pierre would go on to popularize the synthesizer in his pioneering acid house singles.

Donations to Steve Morgan’s fundraiser can be made via Just Giving.