ET | Selector https://selector.news The Electronic Music Journal Thu, 13 Jan 2022 15:34:19 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.5 https://selector.news/wp-content/uploads/2020/05/cropped-cropped-selectorIcon-32x32.png ET | Selector https://selector.news 32 32 HISS Releases Ecclesia on Dustin Zahn’s Enemy Records https://selector.news/2022/01/13/hiss-ecclesia/ https://selector.news/2022/01/13/hiss-ecclesia/#respond Thu, 13 Jan 2022 15:32:18 +0000 https://selector.news/?p=10617

Selector’s Sounds series follows a procedure that puts music quality before status or industry relationships. Learn how it works.

HISS A.K.A. Rove Ranger has developed his sound for over 15 years. Together with some colleagues, he joined Vison Ekstase back in 2019, a techno collective with its roots planted in Stuttgart, Germany. They’ve created successful events, art, and music by breaking the rules and exploring new ground. From the influences of EBM and industrial to the likes of today’s modern techno, his rough, dirty, uncompromising rhythms coupled with hypnotic melodies stand out as hallmarks of his stripped-down, minimalist ’90s techno.

Like most Enemy Records releases, Ecclesia perhaps shines brightest in a late-night after hours setting. “Hostieevokes the sensation being caught in the spin cycle of a washing machine. A constantly changing focus showcases different spatial resonances prevalent within the intertwined shuffled claps and hat rhythms. “Stained Glassbrings a more upbeat spatial amalgam to the room with 360-degree-panned pads, stabs, and verb pulling the mind in many directions.

Rounding things out, “Confess” takes tenured listeners back to the stripped-down, classic minimal they grew to love throughout the ’90s and beyond, covering ground with swirling pads and hypnotic whisps of subpattern spacious pings rolling through the background. Last up on the EP, “Vaults” is a minimal train ride with hypnotic bass rhythms sure to roll into the back of a venue.

Ecclesia embraces everything we’ve come to love over the decades with an ambisonic stereo image created using today’s technology, delivering robust minimal compositions that will satisfy any techno enthusiast’s palate. The album is available in digital format via Enemy Records Bandcamp.

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Marco Shuttle Debuts on Incienso with 3rd Album, Cobalt Desert Oasis https://selector.news/2022/01/06/marco-shuttle-cobalt-desert-oasis/ https://selector.news/2022/01/06/marco-shuttle-cobalt-desert-oasis/#respond Thu, 06 Jan 2022 20:18:15 +0000 https://selector.news/?p=10537

Selector’s Sounds series follows a procedure that puts music quality before status or industry relationships. Learn how it works.

Marco Shuttle‘s third album, Cobalt Desert Oasis, combines cinematic, otherworldly soundscapes reminiscent of a parallel utopian world rich in complex rhythms and moods. 

Each composition is a culmination of environmental field recordings intertwined with modular synths, drum machines, effects, analog oscillators, and a heavy influence of the Tombak, a traditional Persian hand drum. Shuttle brings these environmental elements to the forefront, making it challenging to distinguish the synthetic aspects from the natural ones.

As a result, the music becomes a visual experience of sorts invoking an authentic ASMR experience. The album’s accompanied by Marcos’ photography on the cover and insert images.

Cobalt Desert Oasis transitions between tracks with various moods, textures, and tempos, transporting the listener to a slow-moving ship headed towards a mystical land. “Winds Of Cydonia” rolls out dissonant melodies with an ever-increasing tension factor. In contrast, “4Dimensional Soundwaves” hinges around a never-ending arpeggio that pushes the movement of its surroundings forward. “Danza De Los Voladores” brings about elements of tribal rhythms rolling into a hypnotic cadence of familiarity. 

Marco Shuttle‘s Cobalt Desert Oasis released on Jenny Slattery and Anthony Naples‘ record label, Incienso. Purchase it in digital format via Marco Shuttle Bandcamp.

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